A Rusted History

I spent last week at the farm. Each morning began with making my way through town, trading the softball fields for corn fields. Every now and then there would be livestock, but mostly field after field after rolling field of corn, sometimes bean. The farmers were out planting, so though the first day looked like an abandoned mess of dead stalks, by the end of the week each field bore signs of purpose and hope with their uniform rows. When I return in summer, the brown soil landscape will be green and spurting “knee high by Fourth of July” as my grandma says. As I turn from the paved road to the gravel one, I pull over. I can see my destination in the distance, which means they can see me. So I stop, take some deep breaths, before going on.  I drive these familiar roads like they are maps of my heart. I drive with windows down, cool morning breeze blowing my hair, rock pounding underneath, dust billowing up behind me, as if making the declaration, “Here she comes!” I pass lines of evergreen from memory. I pass the cemetery. I crest each hill with the tension of not seeing down the other side. I drive free, the only way you can in a car that isn’t yours but is as old as your license: I drive with no assumptions, and when I arrive in the gravel driveway, I put it in park and turn it off with grateful thanks.

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This place. Its field of dandelions: wishes or weeds? This place is both. As I walk the grounds in morning dew, memories flood me, bringing a confusing concoction of emotions. Every breath takes in youth, wonder, happiness; every exhale anger and betrayal and shame. I feel them all at once. I am a patchwork quilt. So my steps are slow and my breathing regulated, letting things sit in me just as they are. Letting these antitheses exist in me side by side. Letting go of being able to categorize each memory, each person, each part of me. I let them sit and I listen to the birds.

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I reach the top of a neighboring hill and look down. It is an empty shell of a place from long ago. Its fields sold, to be toiled and cultivated by other hands. The animals are gone- the barn housing only a riding lawnmower, old hay, broken glass, a creature in the back corner that was too shy to show himself to me. The hen house has broken windows, the clothes line is bare, the garden, a wasteland. I pass areas unmowed that hold rusted tractor equipment and burn piles, and I feel sorrow over the passing of this place, like the death of my childhood. I mourn as if the land was an appendage of my own body.

How did this place come to mean so much to me?  I did not grow up here. I grew up a thousand miles south where the weather is warmer and “everything is bigger,” even though the trees are not. My parents were born here- my dad growing up in this very house. This is where my family, as I knew it, began. We made trips- once, sometimes twice a year- back to my grandparents’ farm. When I was eight, I started flying here alone, to spend a week or so with them every summer. I adored everything about the farm: the smell of the animals, the reaping of what was sown, the sun shining off tall green stalks, grass blowing in the wind like waves across an ocean. The hymns, the strawberry jam, creaky stairwells, carpet from the 70s. It was the essence of summer, the essence of childhood. Each day was a wide open door: freedom and adventure beckoning me to bound through the threshold.

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Each day I walked this land alone, growing more and more at peace in the conglomeration of all it represents. I could close my eyes in the barn and breathe in my grandpa, nearly see him out in the distance working the land. I could stand at the kitchen sink, imagining my grandma bent in the garden looking up and calling, “Kati! Come see this cucumber!” I sit at their headstones and simply say, “I loved you. And I loved this place….except when I hated it. But you are what made it beautiful.” On my last day, before heading to the airport, feeling the suffocation of the city approaching, I took one last turn about the place and said goodbye.

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There is only one man
In the world I would follow
Into a corn field

——————————————————

We’ve so much to say
That words could never convey
So we speak volumes
(without them)

——————————————————

I’ll walk this gravel road with you
all the way to
the cemetery

The Phantom of the Opera

I was wearing a mask and a strapless black tuxedo dress and high heels. A man in a long nosed Venetian mask was playing the violin in a way I could watch and hear all night long. As I sat down at the table, placing my napkin in my lap, ready to hear all about Juvenile Diabetes, the thrilling dance scene from the masquerade ball in The Phantom of the Opera came on. It was beautiful and I was reminded that the movie lay on a shelf in my house, unseen, because I wanted to read the book first, which sat on another shelf in my house. When the night was over, having taken off my mask, trading my black dress for some pajamas, I climbed into bed with the book in hand and began.

Three days later I finished it and rewarded myself with the movie. This has been my most disappointing book in a long time, and for a classic too! It was released to American readers as a serial, much like The Count of Monte Cristo, which I had loved. It was a page turner- I wanted the riddle of the Opera Ghost to be solved, but much of my desire was based on the high expectation I have for classics that have withstood the test of time. I expected the ending to make it all worth it. But for me, and this may not be true for you, I have to resonate with at least one character. I have to be able to see the world as they do, to feel it as they do, to understand them as they understand themselves. I couldn’t do this with any character in the book. I didn’t understand the fascination Christine had for the OG, and was baffled by her behavior and Raoul’s continued dedication to her. In the end we finally glimpse the OG, know him as a real man, hear some of his story. There was a line after which I paused and for the first time felt something for the character. It was a singular event, not making the reading of three hundred pages worth it for one line’s worth of reflection.

Rewarding myself with the movie was like taking a steaming hot shower after going running on a summer afternoon in Texas. If you thought the book was bad…..see the movie. Or better yet skip them both: put on a mask, some high heels and a fancy dress, and dance the city down!

Capturing Words

I tore the boxes open with haste, because I could not wait to see in black and white the six years I have lived with my children. The idea was given to me by a high school friend’s mom. I had run into her at Blockbuster (remember those!) just weeks before we were all leaving for college. She told me she was making finishing touches on a journal she had kept for her son. She wrote him letters, from the time he was a baby until now, as he was being launched upon the world at eighteen. I stored this thought in my mind, and nine years later put it into practice. I had just come home from the doctor’s office, having watched on a flat screen against the wall the little kidney bean that was new life inside me. I watched that little bean intensely, like a seed planted that would break forth in life and beauty, as the sound of rapid heartbeat filled the room like music. I ran by Barnes and Noble on the way home to buy a journal, broke its binding at my desk, took up my pen and began my first letter to my first child.

Now seven years, two more children, and twenty-five letters later, these books arrived at my door. I hadn’t been able to keep up with hand writing all the letters, so I had moved to a digital format. The company I was using to print them is going out of business. I had to order quickly or lose all my work. They arrived, and I read through them and as I read, hundreds of forgotten memories became crisp and clear, almost tangible. I could hear my daughter’s two-year-old voice, reliving some of the most special moments of her youngest years. In that way, the books are gifts to myself as much as they are to my children, maybe even more so.

And this is one of the reasons I love to write. If I work quickly, I can capture a moment in my mind and let it spill out in language that years and years later can transport me back to that place and time. I can hear and see and feel all the things for as long as I’m able to read. I have been studying haiku….not my favorite type of poetry, but every style of writing has it’s advantages, and this one to me is like having a camera at the ready. It reads like a snapshot. I have been teaching myself to play the piano, and it is slow going. Music theory is hard enough, not to mention making my hands do what my mind is learning to read. My kids are completely satisfied with hearing “Lavender’s Blue” or “When the Saints Go Marching In” or “Greensleeves,” but I am not. So for our ten year anniversary, my husband got us tickets to one of the Van Cliburn performances. It was beautiful and exhilarating to hear this master play Bach and Chopin. There is one image from the night that has stuck in my mind, and with a haiku I am able to take a snapshot and relive the music.

Night with Richard Goode

Ten fingers leap like
two spiders dancing ballet
across ivory keys

And Mrs. Rainey, you are a gem. You had no idea in Blockbuster that you were planting seeds in me that would bear fruit for my own children. Thank you.

Give Them Grace

This book was on my list for a while. I naturally gravitate toward fiction. And when I do get revved up for a non-fiction, it is usually one that still involves story: biographies, memoirs, etc. Reading instructive non-fiction takes intentionality and grit. But this book was a breath of fresh air for a mama needing some help and not any more dos and don’ts. I wish I had read it about 4 years ago….

There’s nothing new and earth-shattering here. But in a time when our basic beliefs about parenting have been indoctrinated by the present cultural climate of fear, and even within the church, the resounding war drum is that of control, the truth that we as parents have no power to save freed me of the impossible task of changing the hearts of my children. And as I kept reading, I began to wonder When did I start believing I ever could? 

Because I used to know that. And I used to trust it every day. I carried that truth around with me like a diamond ring. And then my little baby, whose heart was always sinful in a quiet way, became noisy in her sin. And I became noisy in return, giving birth to the struggle for power, both of us fighting for control of one another. It was little things at first: you will keep your shoes on, you will eat this dinner. But one thing led to another and before long, I was fighting for control of bigger things: you will say you’re sorry, you will love your sister, you will be kind to mama. And you will do it because you should. Because it’s good and right. Now do it.

At some point I forgot that she couldn’t. Should and could…..what a dark chasm that exists between those two! Should and could…those are my problems too. And I know as well as everyone else, more rules don’t make me want to do what I should. But grace does….

We read the promises of life for obedience and think that means that we can do it. The promises of life for obedience are not meant to build our self-confidence. They’re meant to make us long for obedience and then, when we fail again, they’re meant to crush us and drive us to Christ….The law won’t make [your children] good. It will make them despair of ever being good enough, and in that way it will make them open to the love, sacrifice, and welcome of their Savior, Jesus Christ.
pg. 35-36

Maybe you’re stuck in the tug-of-war with your own kids. Maybe somewhere along the line, you’ve forgotten some things too. Or maybe, after start over following start over following start over, you need some grace yourself.

Read it. Let that impossible task go, both the impossible task you ask of your kids- perfect obedience- and the impossible task you demand of yourself: perfect parenting.

The law says, “do this,” and it is never done. Grace says, “believe in this,” and everything is already done.
Martin Luther

 

The Space Trilogy

I love C.S. Lewis. I am reading through the Chronicles of Narnia with my oldest daughter right now (we are on Prince Caspian) and I can’t get over how affecting his writing is to me: intellectually, spiritually, emotionally….I am moved. So as we are reading through Narnia together, I thought I could enjoy a little Lewis fiction all by myself and grabbed this trilogy. It was different than I expected in a number of ways, both for good and ill.

In all three of these books, Lewis made me experience what the character, usually Ransom, experiences. This was both a pleasure and a pain. It usually meant that things would drag on much longer than I wanted them to, getting a shadow of what the character himself was feeling. So that as Ransom grew weary, I did too. As he lost hope, so did I; as he struggled with bewilderment, I felt the same. Oh but then! When rescue and victory and rest finally came, I was rewarded with him! It takes time to write that way and to read that way. And for all the fatigue of the journey, I was grateful for it.

The first two books take place on different planets (Mars and Venus, respectively.) I grew attached to Ransom and the various creatures that he built relationships with on those planets. Their worlds were beautiful to me, as they were beautiful. I cherished their ways of life and was challenged (in my soul) by the struggle they faced. As I entered the third book, I was hungry for all things to be made right. And here my aversion kicked in. Maybe I anticipated an ending like The Last Battle, where final justice is perfectly metered and all is forever finished. Maybe it was the abrupt change in characters (Ransom took a minor role) or location (Earth). Maybe it was that I was hooked into the big picture that had been created and struggled to see how all of what was happening had anything to do with it. All three of the books took me by surprise a number of times, suddenly heading in a direction I had not foreseen. This was delightful until the third book. It was not all loss- there were ideas in the third book that I enjoyed working through. But the pleasure of the journey was not there. It ended in disappointment for having such a beautiful beginning.

I am grateful for C.S. Lewis and especially for the way in which he never wasted his writing. He used his imagination, his style, his time and place, to unite in words that spoke to belief and truth and beauty. It moves me, every time.

 

Music that Moves

I have three little girls. Two of them are extremely high-energy. (Read that how you want. It’s probably true.) And two of them love music. We try to use every part of life to teach them about the Lord, and music is an easy one. The Austin Stone will always hold a dear place in my heart. It was there for us when we desperately needed it. My mom gifted me their new kids’ album and we all love it. All of us. Their website has each of the songs available to listen to for free, or you can get it on iTunes or Amazon. For weeks now we have been belting out these songs with fists in the air, or hands clapping, bouncing in the seats of the car. It has been joy, joy, joy! Then I found that each song has an accompanying dance video! This morning we stretched, got it up on the big screen, and danced through the entire album! We talked about how this is one way we can worship God in truth with our voices, our bodies, and our minds. Every part of us participating in the glorifying of God. The kids had a blast. And so did I. Give it a try!

 

Besides the free content on The Austin Stone’s website, there are other great resources available like chord charts, the theology behind each song, and a family worship guide to go along with the album.

[I’ve written before about how we’ve used Dana Dirksen’s music to teach theological truth to the kids. Questions with Answers: Volumes 1-3 have been family transforming. The Village Church’s kids albums have also been huge in shaping their understanding of the Lord, both at home, and of course, along with the lessons at church. I would highly recommend them both to you!]

Elegy to Innocence

Life doesn’t thrive in darkness
which is maybe why you feel dead.
Dark eyes in a dark room doing dark deeds.
The only light, a computer screen.
Dirty mattress on the floor,
bars over windows, locks on doors.
You wait to be seen.

Led down a staircase, tripping
over a shoelace you are
too young to tie.
You brace to meet the face
of your next admirer, knowing
it’s no use to cry.
His erected affection leaves no
room for objection.
This is subjection of the basest kind.

How to breathe? How to swallow this
air of dirt and sweat and fear?
So you close your eyes, remember:
A time where no shadows blocked the sun.
When you ran and sang, and what was that word?
Fun? Brothers, friends, mama, hens…
flash through your days of old, and then
it is over. He’s done. A tear falls, he runs.
You close your eyes, whisper:
Goodbye.

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Grandpa George

I still think of you when I taste
the tart of a fresh raspberry.
Imagine it covered in cream and sugar
until it’s so sweet you could drink it.
You left memories with all of my senses
So that I can close my eyes
and remember you with my whole body.

Tight smooth skin when I reach
the shine atop your head,
the unassuming blue
of kind eyes,
Or nuzzling in the crook
of your neck, breathing in
sweet tobacco and sweat, the
ripeness of a day’s labor.
And with my head against your chest,
the beating of a pacemaker
tapping the tune to your song
as you rock me slowly to sleep
singing “bye oh bye oh baby bye oh
bye oh bye oh baby bye”

I grow taller as you bend over
under the weight of ninety-four years.
The last time I see you, you’ve traded
your overalls for a black suit.
There are potholes in your skull
breaking smooth lines.
Your blue kindness hidden
behind closed lids.
Tobacco and sweat erased by
formaldehyde, and in the silence
I strain to hear your song, but it’s gone.
Because you’re gone.

So I repeat our last conversation,
where you told me good-bye, with a smile
I asked if you were scared, no
sad, no
ready, yes oh yes, so tired
So I pretend you lay your head in my lap
and I rock slowly,
sing you to sleep.

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Under the Willow Tree

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You waited for me under the willow tree
but selfishness kept me away.
Then sorrow, then fear, as everything dear
ushered me slowly, slowly, to today:
I parted the leaves, stepped into the shade
with no hope- I was there to get closure.
In the name of Freedom I’d walked my path
and it had wrecked me over and over.

I look into green flowing knots above,
strange to see from the angle of my love-
my daughter, who, happy and dry and fed,
used warm hands to draw my face to her head.
My hair fell around us, as nose touched nose,
wild spirals that, like a curtain, closed
us in together- all sound was made dim
as I kissed her features: cheek, nose, and chin.
In each other’s eyes we smiled, we dined
And the seconds, generous, took their time
to let us sing in this glad warm chorus.

Now I see- you’re here! I survey your face,
drink the green sunlight as fear is erased.
“How long” I ask, “have you waited for me?”
“You know. You see. I never left this tree.”
Both with nothing and everything to say
we remember back to the very day
twenty years ago when you made a vow
which you have kept from that day until now.
My wandering heart cannot bear the shame
of leaving you here, not taking your name.
And the wind shakes the leaves to weep with me.

“Can you take me now or has love gone cold?”
“For joy you are mine! I never lose hold-
forever I will burn white hot for you!
I am unchanging and I make it true.”
I inched in, a caterpillar, a worm
to cocoon with you in the tree, and turned
into a butterfly, a creature new-
transformed as one: you in me, I in you.
Consummated then as husband and wife,
giving your faithful, long-suffering life,
and we danced to the song of the redeemed.

Think back to it now, fifty years more gone-
lifted from my midnight into your dawn.
Love, my sunrise! Fill my life with your light!
Lead me into ever increasing height!
You, always you! You’re the head of this heart,
so we were, are, will be, never to part.
Bow my head low, let the canopy fall.
My hair forms the branches closing out all
but you- my husband- my life in that tree.
With you I am truly, endlessly, free!

Need into Want

I had the privilege of hearing from Jill Briscoe at the IF:Gathering this past weekend. As she made her way across the stage, my ears perked up. The only true veteran among the group, this white haired 82 year old woman had my attention before she even opened her mouth. And then the moment she did, I was riveted. Poetic, humble, and wise, she spoke winsomely and with authority. I waited for God to tell me, through her, what I had come to hear. I forget though, he tells me what I need, with no guarantee it will be what I want.

I had been primed with the theme of the weekend, calling us to the small daily acts of faith, rather than the grand large-scale endeavor. Called to the invisible. Can I just confess that that feels like a let down? Don’t we all hunger for the magnificent? And (is this a safe place?) don’t we all crave being seen? I’m not talking about the spotlight.Not everyone craves that. But don’t you long to be recognized in some way for what you do or who you are?

But what Jill had to say to me was an affront to those wants. Speaking about her own conversion in a hospital bed at Cambridge, she said:

From now on, the orbit of your life, the place between your own two feet at any time, is your mission field….And what we’ve got to do is go where we’re sent, stay where we’re put. Unpack; as if you’re never going to leave. And give what you’ve got. And he might move you on and you say it again. Maybe circumstances will move you on. But until you’re moved on to whatever, you give everything you have, between your own two feet….What is the Calling? Matthew 28, Go into all the world and make disciples and teach them to make disciples and teach them to make disciples. That’s what we’re supposed to be doing. Between our own two feet. Now. Don’t worry about Judea and Samaria, guys. Where are you now?

And if that wasn’t hint enough, I got in small group with discussion questions crying out the theme, like the beating of a drum:

What holds you back from believing God wants to use you right where you are?
How might God be wanting to use you right where you are?
What is the risk in letting God use you right where you are?

Yes, God. I hear you. Right where I am. Be right where I am. Stay right where I am. Unpack.

Of course, I wasn’t physically going anywhere. But in my mind, I have voyaged elsewhere….taking with me all my desire. Can I confess that as a stay-at-home-mom I have struggled with the joy in it? That as a person who loves mental stimulation, art/beauty, and adventure, that reading board books on repeat, playing “I Spy” on repeat, finger painting on repeat, “adventuring” to the grocery store on repeat have left me feeling deficient? When I still have so many things I want to do and the opportunity seems gone already?

But as I work this out with God, as Jill put it, “sitting on the steps of my soul in the deep place where nobody goes” I have come to see that what I want is not to NOT be a stay at home mom. I want to not be a disciple-maker. I want my time, my gifts, my adventures to end on me. To serve my purposes. My life. Me. My. Mine. Because I can’t agree there isn’t glorious purpose in it. Just a purpose, God help me, I have a hard time desiring. One of being invisibly poured out.

And Jill keeps going:

It’s not a glamour trip. Well you know that because he said, “Take your cross with you.” You’re going to need it. You’re going to have to die to yourself, you’re going to have to die to your choices, whether I get married or I don’t. You’re going to have to die to your prejudiced little mind. You’re going to have to die to what you’d like to do.

I heard myself saying in discussion, “It’s so hard to say, ‘I’ll do that later. It can wait.’ But the truth is that I can do that later. The opportunities before me now have an expiration date. They won’t ever be mine again.”

I am reading through Ecclesiastes. Solomon is explaining the futility of toil for everything under the sun:

All streams run to the sea,
but the sea is not full;
to the place where the streams flow,
there they flow again.

But let’s rise up above the sun. Enter the upside down Kingdom of God and the opposite is true. You pour yourself out and stay filled. You lose your life to keep it.

One gives freely, yet grows all the richer; another withholds what he should give, and only suffers want. Whoever brings blessing will be enriched, and one who waters will himself be watered.

And there is God on the steps of my soul again. You need to make disciples. Not that you can. But it’s what you really need. It’s the adventure and beauty your soul thirsts for. The reason you feel deficient and unsatisfied is that you haven’t been making disciples. You’ve been reduced to a stay-at-home-mom under the sun. That’s not what I’ve called you to. Rise up.